Tarixi h\u0259qiq\u0259tl\u0259 b\u0259dii h\u0259qiq\u0259tin v\u0259hd\u0259tind\u0259n yaranm\u0131\u015f “Nadir \u015fah” \u0259s\u0259ri h\u0259m d\u0259 milli teatr\u0131m\u0131z\u0131n inki\u015faf\u0131nda v\u0259 bütöv bir aktyorlar n\u0259slinin yeti\u015fm\u0259sind\u0259 mühüm rol oynay\u0131b<\/strong><\/p>\n XIX \u0259srin son ill\u0259rind\u0259 III Aleksandr ad\u0131na Bak\u0131 ki\u015fi gimnaziyas\u0131n\u0131n Az\u0259rbaycan dili mü\u0259llimi, 28 ya\u015fl\u0131 N\u0259riman “Nadanl\u0131q”, “Dilin b\u0259las\u0131”, “Bahad\u0131r v\u0259 Sona”dan sonra növb\u0259ti \u0259s\u0259rini – “Nadir \u015fah”\u0131 yaz\u0131b yaradark\u0259n heç dü\u015fünmürdü ki, Az\u0259rbaycan \u0259d\u0259biyyat\u0131nda tar\u0131x\u0131 faci\u0259 janr\u0131n\u0131n \u0259sas\u0131n\u0131 qoyur. O, maddi g\u0259lir t\u0259m\u0259nnas\u0131nda v\u0259 ya m\u0259\u015fhurluq iddias\u0131nda da deyildi. O, sad\u0259c\u0259 dü\u015fünür v\u0259 axtar\u0131rd\u0131… Adi bir mü\u0259llim kimi k\u0259ndli balalar\u0131na d\u0259rs dey\u0259nd\u0259 d\u0259, yaz\u0131ç\u0131, aktyor, h\u0259kim, ictimai-siyasi xadim kimi q\u0131z\u011f\u0131n f\u0259aliyy\u0259td\u0259 olanda da yaln\u0131z b\u0131r m\u0259s\u0259l\u0259 haqq\u0131nda – azad, xo\u015fb\u0259xt insanlar\u0131n ya\u015fad\u0131\u011f\u0131 sivil c\u0259miyy\u0259t v\u0259 onun yarad\u0131lmas\u0131 yollar\u0131 bar\u0259d\u0259 dü\u015fünürdü. Dü\u015fünc\u0259l\u0259ri söz\u0259 çevrilir, q\u0259l\u0259mind\u0259n ka\u011f\u0131zlara süzülürdü. \u0130ll\u0259r keç\u0259c\u0259k v\u0259 yer üzünd\u0259 istismar\u0131n v\u0259 köl\u0259liyin m\u0259hvini öz m\u0259ram\u0131na çevir\u0259n N\u0259riman\u0131n h\u0259yat\u0131 boyu göst\u0259rdiyi bütün çabalar m\u0259hz bu arzunun gerç\u0259kl\u0259\u015fm\u0259sin\u0259 xidm\u0259t ed\u0259c\u0259kdi…<\/p>\n H\u0259l\u0259liks\u0259 o, maarifçilik dünyagörü\u015fünün b\u0259hr\u0259si, dramaturji yarad\u0131c\u0131l\u0131\u011f\u0131n\u0131n \u015fah \u0259s\u0259ri olan “Nadir \u015fah”\u0131 yaratm\u0131\u015fd\u0131 v\u0259 indi onu \u0259s\u0259rin çap\u0131 v\u0259 tama\u015faya qoyulmas\u0131 u\u011frunda g\u0259rgin mücadil\u0259l\u0259r gözl\u0259yirdi… Tarixi h\u0259qiq\u0259tl\u0259 b\u0259dii h\u0259qiq\u0259tin v\u0259hd\u0259tind\u0259n yaranm\u0131\u015f “Nadir \u015fah” \u0259s\u0259ri h\u0259m d\u0259 milli teatr\u0131m\u0131z\u0131n inki\u015faf\u0131nda v\u0259 bütöv bir aktyorlar n\u0259slinin yeti\u015fm\u0259sind\u0259 mühüm rol oynay\u0131b XIX \u0259srin son ill\u0259rind\u0259 III Aleksandr ad\u0131na…<\/p>\n","protected":false},"author":1,"featured_media":251278,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[100],"tags":[],"class_list":["post-68846","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-diger"],"_links":{"self":[{"href":"https:\/\/ucnoqta.az\/index.php?rest_route=\/wp\/v2\/posts\/68846","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ucnoqta.az\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ucnoqta.az\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ucnoqta.az\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ucnoqta.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=68846"}],"version-history":[{"count":0,"href":"https:\/\/ucnoqta.az\/index.php?rest_route=\/wp\/v2\/posts\/68846\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ucnoqta.az\/index.php?rest_route=\/wp\/v2\/media\/251278"}],"wp:attachment":[{"href":"https:\/\/ucnoqta.az\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=68846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ucnoqta.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=68846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ucnoqta.az\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=68846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nN.N\u0259rimanov \u0259s\u0259rin mövzusunu XVIII \u0259srin I yar\u0131s\u0131nda \u0130randa S\u0259f\u0259vil\u0259r sülal\u0259sind\u0259n sonra xalq\u0131n v\u0259 ordunun köm\u0259yi il\u0259 taxta ç\u0131x\u0131b 11 il (1736–1747) hökmranl\u0131q ed\u0259n Nadir \u015fah\u0131n h\u0259yat\u0131 v\u0259 \u015fahl\u0131\u011f\u0131 haqq\u0131ndak\u0131 tarixi \u0259s\u0259rl\u0259rd\u0259n alm\u0131\u015f, süjetd\u0259 h\u0259min dövr \u0130ran tarixinin real fakt v\u0259 hadis\u0259l\u0259rind\u0259n istifad\u0259 etmi\u015fdir.
\nOnun bu mövzuya müraci\u0259t etm\u0259si t\u0259sadüfi deyildi. Söz azadl\u0131\u011f\u0131n\u0131n olmad\u0131\u011f\u0131 bir vaxtda ciddi aktual probleml\u0259r\u0259 toxunmaq v\u0259 qabaqc\u0131l ideyalar\u0131 t\u0259bli\u011f etm\u0259k üçün o, s\u0259l\u0259fi M.F.Axundovun m\u0259sl\u0259h\u0259t gördüyü üsuldan istifad\u0259 etmi\u015f, hadis\u0259l\u0259ri tarixi keçmi\u015f\u0259 v\u0259 ba\u015fqa m\u0259kana köçürmü\u015fdü.
\n\u018fs\u0259rin ba\u015f q\u0259hr\u0259man\u0131 Nadir \u0259f\u015farlar tayfas\u0131ndan olan s\u0259n\u0259tkar ail\u0259sind\u0259 do\u011fulmu\u015f, g\u0259ncliyi \u0130ran\u0131n \u0259fqan feodallar\u0131 t\u0259r\u0259find\u0259n i\u015f\u011fal edildiyi ill\u0259r\u0259 t\u0259sadüf etmi\u015fdir. \u015eah Sultan Hüseynin dövl\u0259t ba\u015fç\u0131s\u0131 kimi z\u0259ifliyi d\u0259r\u0259b\u0259yliy\u0259, özba\u015f\u0131nal\u0131\u011fa yol açm\u0131\u015f, ölk\u0259nin iqtisadi v\u0259 müdafi\u0259 qüdr\u0259ti z\u0259ifl\u0259mi\u015fdi. \u0130ran yadellil\u0259rin arams\u0131z hücumlar\u0131na m\u0259ruz qalm\u0131\u015f, \u0259sas \u015f\u0259h\u0259rl\u0259r z\u0259bt edilmi\u015fdi. El\u0259 bu zaman Xorasan \u0259yal\u0259tind\u0259 böyük qaçaq d\u0259st\u0259sin\u0259 ba\u015fç\u0131l\u0131q ed\u0259n Nadir, day\u0131s\u0131 Cavad\u0131n a\u011f\u0131ll\u0131 n\u0259sih\u0259tl\u0259rin\u0259 qulaq as\u0131b quldurluqdan \u0259l ç\u0259kir, i\u015f\u011falç\u0131larla mübariz\u0259y\u0259 ba\u015flay\u0131r. Az müdd\u0259t \u0259rzind\u0259 ölk\u0259ni \u0259fqan i\u015f\u011falç\u0131lar\u0131ndan t\u0259mizl\u0259yir, ordunun v\u0259 xalq\u0131n böyük etimad\u0131n\u0131 qazan\u0131r. V\u0259li\u0259hd II T\u0259hmasibin devrilm\u0259sind\u0259n sonra xalq\u0131n ist\u0259yil\u0259 taxta ç\u0131xan Nadir \u015fah bir s\u0131ra islahatlar apar\u0131r, v\u0259t\u0259nin t\u0259r\u0259qqisin\u0259 nail olma\u011fa çal\u0131\u015f\u0131r. Ayr\u0131-ayr\u0131 xanlar\u0131n ixtiyar\u0131n\u0131 m\u0259hdudla\u015fd\u0131r\u0131r v\u0259 onlar\u0131 dövl\u0259t m\u0259muruna çevirir, dövl\u0259t m\u0259nafeyini qorumayan din xadiml\u0259rin\u0259 qar\u015f\u0131 s\u0259rt mövqe tutur, sünnü-\u015fi\u0259 m\u0259zh\u0259bl\u0259rini birl\u0259\u015fdirm\u0259k v\u0259 m\u0259scidi dövl\u0259td\u0259n ay\u0131rmaq ist\u0259yir.
\nLakin Nadir n\u0259 q\u0259d\u0259r \u0259dal\u0259tli olma\u011fa çal\u0131\u015fsa da, yen\u0259 d\u0259 ba\u015fqa \u015fahlar kimi amans\u0131z v\u0259 q\u0259ddard\u0131r. O q\u0259d\u0259r amans\u0131z ki, hiyl\u0259y\u0259 aldan\u0131b guya ona sui-q\u0259sd haz\u0131rlayan yegan\u0259 o\u011flu Rzaqulunun gözl\u0259rinin ç\u0131xar\u0131lmas\u0131 üçün \u0259mr verir v\u0259 sonda özü d\u0259 riyakar, xain saray \u0259yanlar\u0131n\u0131n fitn\u0259karl\u0131\u011f\u0131n\u0131n qurban\u0131 olur. Nadirin ölümünd\u0259n sonra \u0130ran yen\u0259 d\u0259 ayr\u0131-ayr\u0131 xanl\u0131qlara parçalan\u0131r, q\u0259sbkarlar\u0131n yeni hücumlar\u0131na m\u0259ruz qal\u0131r, xalq\u0131n güz\u0259ran\u0131 is\u0259 \u0259vv\u0259lkind\u0259n d\u0259 dözülm\u0259z hala dü\u015für.
\nDramaturq S\u0259f\u0259vil\u0259r n\u0259slind\u0259n olan iki \u015fah\u0131n devrilm\u0259sini s\u0259hn\u0259y\u0259 g\u0259tirm\u0259kl\u0259 avam camaat\u0131 ay\u0131q olma\u011fa, real dü\u015fünm\u0259y\u0259 vadar edirdi. Sonralar N\u0259rimanov bu bar\u0259d\u0259 yaz\u0131rd\u0131: “Nadir \u015fah” tarixi faci\u0259md\u0259 m\u0259n \u015fah\u0131n \u015f\u0259xsiyy\u0259tini heç\u0259 endirmi\u015f\u0259m v\u0259 ba\u015fa salmaq ist\u0259mi\u015f\u0259m ki, qaranl\u0131qda qalan kütl\u0259nin ad\u0259t olaraq q\u0259bul etdiyi kimi hökdar\u0131 \u015f\u0259xsiyy\u0259ti heç d\u0259 müq\u0259dd\u0259s deyil v\u0259 \u0259g\u0259r o, m\u0259ml\u0259k\u0259ti idar\u0259 ed\u0259 bilmirs\u0259 onu tapdalay\u0131b keçm\u0259k olar”.
\nNadirin xalq iç\u0259risind\u0259n ç\u0131xmas\u0131, taxt-taca varislikl\u0259 deyil, mübariz\u0259 il\u0259 sahib olmas\u0131, saraya dig\u0259r \u015fahlardan f\u0259rqli olaraq h\u0259yati \u0259h\u0259miyy\u0259tli mühüm yenilikl\u0259r g\u0259tirm\u0259si N.N\u0259rimanovun öz m\u0259ram\u0131n\u0131 ifad\u0259 etm\u0259k üçün vasit\u0259 idi. N\u0259rimanov Nadirin faci\u0259sini despotizm qurulu\u015fu \u015f\u0259raitind\u0259 xalqa köm\u0259k etm\u0259k ist\u0259y\u0259n bütün xeyirxah, qeyr\u0259tli insanlar\u0131n faci\u0259si kimi ümumil\u0259\u015fdirmi\u015f, mütl\u0259qiyy\u0259t hakimiyy\u0259ti \u015f\u0259raitind\u0259 xalqla dövl\u0259t aras\u0131ndak\u0131 uçurumun islahatlar yolunda mühüm mani\u0259 oldu\u011funu v\u0259 onun demokratik xalq qurulu\u015fu il\u0259 \u0259v\u0259z edilm\u0259sinin z\u0259ruriliyini göst\u0259rmi\u015fdi.
\nEl\u0259 bu s\u0259b\u0259bd\u0259n d\u0259 \u0259s\u0259r n\u0259\u015fr olunmaq üçün t\u0259qdim edil\u0259rk\u0259n hökum\u0259t dair\u0259l\u0259ri v\u0259 çar senzuras\u0131 t\u0259r\u0259find\u0259n naraz\u0131l\u0131q v\u0259 q\u0259ti etirazla qar\u015f\u0131lan\u0131r. Qafqaz cani\u015fini \u0259s\u0259rin \u0259lyazmas\u0131n\u0131 m\u0259hv etm\u0259k q\u0259rar\u0131na g\u0259lir. N\u0259rimanov bunun s\u0259b\u0259bini soru\u015fduqda senzor: “S\u0259b\u0259b bir \u0259s\u0259rd\u0259 iki pad\u015fah\u0131n camaat t\u0259r\u0259find\u0259n taxtdan sal\u0131nmas\u0131 v\u0259 xalq nümay\u0259nd\u0259sinin pad\u015fah seçilm\u0259sidir” cavab\u0131n\u0131 verir. N.N\u0259rimanov: “Ax\u0131 bu, tarixi faktd\u0131r!” dey\u0259 etiraz etdikd\u0259: “B\u0259li, lakin h\u0259r bir fakt\u0131 q\u0259bul etm\u0259k olmaz” cavab\u0131n\u0131 al\u0131r.
\nÇox uzun süründürm\u0259çilikd\u0259n sonra Qafqaz senzura komit\u0259si 1899-cu il yanvar\u0131n 22-d\u0259 \u0259s\u0259rin çap\u0131na icaz\u0259 verir v\u0259 “Nadir \u015fah” tarixi faci\u0259si h\u0259min il Bak\u0131da “Aror” m\u0259tb\u0259\u0259sind\u0259 H.Z.Ta\u011f\u0131yevin x\u0259rci il\u0259 1200 tirajla çap edilir. \u018fs\u0259rin ikinci n\u0259\u015fri is\u0259 15 il sonra – 1913-cü ild\u0259 N.N\u0259rimanovun ciddi t\u0259shihl\u0259r etdiyi yeni variantda Orucov qarda\u015flar\u0131n\u0131n m\u0259tb\u0259\u0259sind\u0259 çap edilir (\u018fs\u0259rin h\u0259min n\u0259\u015frinin bir nüsx\u0259si haz\u0131rda N.N\u0259rimanovun xatir\u0259 muzeyind\u0259 mühafiz\u0259 olunur v\u0259 nümayi\u015f etdirilir). Tama\u015faya qoymaq üçüns\u0259 icaz\u0259 yaln\u0131z 1906-c\u0131 ild\u0259 verilir v\u0259 \u0259s\u0259r d\u0259rhal iki dild\u0259 – Az\u0259rbaycan v\u0259 rus (N.N\u0259rimanovun özünün t\u0259rcüm\u0259sind\u0259) dill\u0259rind\u0259 tama\u015faya haz\u0131rlan\u0131r. Lakin m\u0259h\u0259rr\u0259mliy\u0259 t\u0259sadüf etdiyi üçün Az\u0259rbaycan dilind\u0259 apar\u0131lan m\u0259\u015fql\u0259r müv\u0259qq\u0259ti olaraq dayand\u0131r\u0131l\u0131r v\u0259 ilk tama\u015fa rus dilind\u0259 1906-c\u0131 il fevral\u0131n 8-d\u0259 ba\u015f tutur. 7 ay sonra, 1906-c\u0131 il sentyabr ay\u0131n\u0131n 8-d\u0259 \u0259s\u0259r Az\u0259rbaycan dilind\u0259 ilk d\u0259f\u0259 tama\u015faç\u0131lara göst\u0259rilir. Tama\u015fa h\u0259r iki dild\u0259 böyük müv\u0259ff\u0259qiyy\u0259t qazan\u0131r v\u0259 Az\u0259rbaycan teatr\u0131 repertuar\u0131nda möhk\u0259m yer tutaraq uzun ill\u0259r s\u0259hn\u0259d\u0259n dü\u015fmür. Dem\u0259k laz\u0131md\u0131r ki, çox böyük maraq do\u011furdu\u011fu üçün \u0259s\u0259r el\u0259 h\u0259min ill\u0259rd\u0259 bir s\u0131ra ba\u015fqa dill\u0259r\u0259 d\u0259 t\u0259rcüm\u0259 edil\u0259r\u0259k müxt\u0259lif yerl\u0259rd\u0259 tama\u015faya qoyulur.
\nAz\u0259rbaycan s\u0259hn\u0259sinin n\u0259h\u0259ngl\u0259rind\u0259n Cahangir Zeynalov, Hüseyn \u018fr\u0259blinski, Abbas Mirz\u0259 \u015e\u0259rifzad\u0259, Sidqi Ruhulla, Mustafa M\u0259rdanov, Möhsüm S\u0259nani, Mirz\u0259a\u011fa \u018fliyev v\u0259 ba\u015fqalar\u0131 N\u0259rimanovun bütün dram \u0259s\u0259rl\u0259rind\u0259, el\u0259c\u0259 d\u0259 “Nadir \u015fah” faci\u0259sind\u0259 müxt\u0259lif rollar\u0131 ifa etmi\u015fl\u0259r. Hüseyn \u018fr\u0259blinski 1907-ci ilin \u0259vv\u0259ll\u0259rind\u0259n ba\u015flayaraq ömrünün sonuna q\u0259d\u0259r d\u0259f\u0259l\u0259rl\u0259 Nadir \u015fah rolunda dahiyan\u0259 s\u0259n\u0259tkarl\u0131qla ç\u0131x\u0131\u015f etmi\u015fdir. Faci\u0259li ölümün\u0259 bir gün qalm\u0131\u015f oynad\u0131\u011f\u0131 son rolu da Nadir \u015fah olmu\u015fdur.
\n“Nadir \u015fah” tama\u015fas\u0131 1906-c\u0131 ild\u0259n ba\u015flayaraq 30-cu ill\u0259r\u0259 q\u0259d\u0259r Bak\u0131da v\u0259 Az\u0259rbaycan\u0131n müxt\u0259lif yerl\u0259rind\u0259, el\u0259c\u0259 d\u0259 Tiflisd\u0259, Kr\u0131mda, Baxçasarayda, H\u0259\u015ft\u0259rxanda, Moskva v\u0259 Tehranda d\u0259f\u0259l\u0259rl\u0259 tama\u015faya qoyulmu\u015fdur.
\nTama\u015fan\u0131n qastrol s\u0259f\u0259rl\u0259rinin ünvan\u0131 da çox z\u0259ngin v\u0259 r\u0259ngar\u0259ngdir – \u0130ran, Türkiy\u0259, Rusiya, Orta Asiya Respublikalar\u0131, Da\u011f\u0131stan, Çeçenistan v\u0259 s. Son dövrl\u0259rd\u0259 is\u0259 \u0259s\u0259r 1996–1997-ci ill\u0259rd\u0259 Bak\u0131da “G\u0259nc tama\u015faç\u0131lar teatr\u0131”n\u0131n s\u0259hn\u0259sind\u0259 oynan\u0131lm\u0131\u015f, Bak\u0131 B\u0259l\u0259diyy\u0259 teatr\u0131n\u0131n aktyorlar\u0131n\u0131n Türkiy\u0259y\u0259 qastrollar\u0131 zaman\u0131 \u0130stanbulda v\u0259 dig\u0259r \u015f\u0259h\u0259rl\u0259rd\u0259 nümayi\u015f etdirilmi\u015fdir. Nadir \u015fah rolunun son ifaç\u0131s\u0131 is\u0259 respublikam\u0131z\u0131n \u0259m\u0259kdar artisti Azad \u015eükürov olmu\u015fdur.
\nÇap olunub tama\u015faya qoyuldu\u011fu vaxtdan etibar\u0259n h\u0259mi\u015f\u0259 \u0259d\u0259biyyat\u015fünaslar\u0131n v\u0259 teatr t\u0259nqidçil\u0259rinin diqq\u0259t m\u0259rk\u0259zind\u0259 olmu\u015f bu \u0259s\u0259r haqq\u0131nda ilk sözü görk\u0259mli \u0259d\u0259biyyat\u015fünas Firudin Köç\u0259rli demi\u015fdir. Ümumiyy\u0259tl\u0259, N.N\u0259rimanovun \u0259d\u0259bi irsi d\u0259f\u0259l\u0259rl\u0259 t\u0259krar\u0259n n\u0259\u015fr olunmu\u015f v\u0259 t\u0259dqiq edilmi\u015fdir. “Nadir \u015fah” \u0259s\u0259rinin rus, fars, tatar, kum\u0131k v\u0259 dig\u0259r dill\u0259r\u0259 d\u0259 t\u0259rcüm\u0259 edildiyi v\u0259 n\u0259\u015fr olundu\u011fu m\u0259lumdur. Müxt\u0259lif ill\u0259rd\u0259 M.Quliyev, H.Zeynall\u0131, B.Çobanzad\u0259, Mir C\u0259lal, \u018fziz \u015e\u0259rif, M.\u0130brahimov, V.M\u0259mm\u0259dov, T.\u018fhm\u0259dov, A.Zamanov, Y.Qarayev, X.M\u0259mm\u0259dov, X.\u018flimirz\u0259yev, M.\u0130brahimova, A.Hac\u0131yeva v\u0259 ba\u015fqalar\u0131 öz \u0259s\u0259r v\u0259 elmi m\u0259qal\u0259l\u0259rind\u0259 ilk milli tarixi faci\u0259 haqq\u0131nda maraql\u0131 fikirl\u0259rini, elmi mülahiz\u0259l\u0259rini söyl\u0259mi\u015fl\u0259r. Filologiya elml\u0259ri namiz\u0259di Elçin Cabbarov 1992-ci ild\u0259 müdafi\u0259y\u0259 t\u0259qdim etdiyi “Az\u0259rbaycan \u0259d\u0259biyyat\u0131nda ilk tarixi faci\u0259” adlanan dissertasiyas\u0131 “Nadir \u015fah”\u0131n t\u0259dqiqin\u0259 h\u0259sr edilmi\u015fdir.
\nTarixi h\u0259qiq\u0259tl\u0259 b\u0259dii h\u0259qiq\u0259tin v\u0259hd\u0259tind\u0259n yaranm\u0131\u015f “Nadir \u015fah” \u0259s\u0259ri h\u0259m d\u0259 milli teatr\u0131m\u0131z\u0131n inki\u015faf\u0131nda v\u0259 bütöv bir aktyorlar n\u0259slinin yeti\u015fm\u0259sind\u0259 mühüm rol oynam\u0131\u015fd\u0131r.<\/p>\n","protected":false},"excerpt":{"rendered":"