{"id":243458,"date":"2026-05-12T10:36:35","date_gmt":"2026-05-12T06:36:35","guid":{"rendered":""},"modified":"-0001-11-30T00:00:00","modified_gmt":"-0001-11-29T20:00:00","slug":"","status":"publish","type":"post","link":"https:\/\/ucnoqta.az\/?p=243458","title":{"rendered":"\u201cQ\u0131rxdan sonra\u2026\u201d filmi qad\u0131n taleyin\u0259 v\u0259 s\u0259n\u0259tin g\u00f6r\u00fcnm\u0259y\u0259n t\u0259r\u0259fl\u0259rin\u0259 i\u015f\u0131q sal\u0131r"},"content":{"rendered":"

 Az\u0259rbaycan Kinematoqrafç\u0131lar \u0130ttifaq\u0131n\u0131n d\u0259st\u0259yi il\u0259 “Q\u0131rxdan sonra…” adl\u0131 q\u0131sametrajl\u0131 b\u0259dii filmin yaln\u0131z qad\u0131nlar üçün t\u0259\u015fkil olunan xüsusi nümayi\u015fi keçirilib. <\/strong><\/p>\n

S\u0259n\u0259t\u015fünaslar, teatr v\u0259 kino xadiml\u0259ri, media nümay\u0259nd\u0259l\u0259ri, h\u0259mçinin c\u0259miyy\u0259tin f\u0259rqli sah\u0259l\u0259rind\u0259 çal\u0131\u015fan v\u0259 u\u011fur qazanan qad\u0131nlar\u0131n qat\u0131ld\u0131\u011f\u0131 nümayi\u015fd\u0259n sonra ekran \u0259s\u0259ri \u0259traf\u0131nda geni\u015f müzakir\u0259l\u0259r apar\u0131l\u0131b.
\nTragikomediya janr\u0131nda ç\u0259kil\u0259n “Q\u0131rxdan sonra…” filminin ssenari mü\u0259llifl\u0259ri Saida Haqverdiyeva v\u0259 Sevda Sultanova, qurulu\u015fçu rejissoru is\u0259 Saida Haqverdiyevad\u0131r. Xronometraj\u0131 30 d\u0259qiq\u0259 olan ekran \u0259s\u0259rinin görüntü rejissoru \u015eahmar S\u0259f\u0259ro\u011fludur.<\/p>\n

Film ya\u015f\u0131 q\u0131rx\u0131 keçmi\u015f, ail\u0259-m\u0259i\u015f\u0259t qay\u011f\u0131lar\u0131 v\u0259 pe\u015f\u0259kar h\u0259yatda görünm\u0259zl\u0259\u015fm\u0259 problemi il\u0259 üzl\u0259\u015f\u0259n iki aktrisan\u0131n h\u0259yat\u0131ndan b\u0259hs edir. \u018fsas q\u0259hr\u0259manlardan biri ill\u0259r \u0259vv\u0259l teatrdan uzaqla\u015fsa da, dig\u0259ri s\u0259n\u0259td\u0259 qalmaq, yenid\u0259n s\u0259hn\u0259y\u0259, ekrana qay\u0131tmaq v\u0259 özünü t\u0259sdiql\u0259m\u0259k, parlaq keçmi\u015fini qaytarmaq u\u011frunda mübariz\u0259 apar\u0131r. O, zaman keçdikc\u0259 kinoda v\u0259 teatrda ona olan t\u0259l\u0259bat\u0131n azald\u0131\u011f\u0131n\u0131 hiss ets\u0259 d\u0259, bu reall\u0131qla bar\u0131\u015fmaq ist\u0259mir.<\/p>\n

Ekran \u0259s\u0259rind\u0259 aktyorlar\u0131n v\u0259 xüsusil\u0259 qad\u0131n s\u0259n\u0259t adamlar\u0131n\u0131n daxili dünyas\u0131, psixoloji sars\u0131nt\u0131lar\u0131, pe\u015f\u0259 v\u0259 h\u0259yat aras\u0131nda ya\u015fad\u0131qlar\u0131 ziddiyy\u0259tl\u0259r tragikomik hadis\u0259l\u0259r fonunda t\u0259qdim olunur. Film h\u0259m d\u0259 c\u0259miyy\u0259tin s\u0259n\u0259t adamlar\u0131n\u0131n görünm\u0259y\u0259n t\u0259r\u0259fl\u0259rin\u0259 diqq\u0259t ç\u0259km\u0259yi h\u0259d\u0259fl\u0259yir.<\/p>\n

“RS Production”un istehsal\u0131 olan filmd\u0259 rollar\u0131 Zümrüd Qas\u0131mova v\u0259 Gülçöhr\u0259 Abdullayeva ifa edirl\u0259r. Layih\u0259nin prodüserl\u0259ri K\u0259mal\u0259 N\u0259hm\u0259tova v\u0259 S\u0259id\u0259 Haqverdiyeva, montaj rejissoru \u018fli Xil\u0259li, ikinci operatoru Sahib Mikay\u0131lov, s\u0259s rejissoru Mehman Nadirov, s\u0259s operatoru Aslan \u018flib\u0259yov, redaktoru is\u0259 H\u0259mid\u0259 Rüst\u0259movad\u0131r.<\/p>\n

Rejissor Saida Haqverdiyeva ç\u0131x\u0131\u015f\u0131nda  qad\u0131nlar\u0131n ya\u015fant\u0131lar\u0131na, daxili dünyas\u0131na varan bu kimi nümun\u0259l\u0259r\u0259 ehtiyac oldu\u011funu v\u0259 el\u0259 bu i\u015fi d\u0259 o daxili t\u0259l\u0259batdan \u0259rs\u0259y\u0259 g\u0259tirdikl\u0259rini bildirib.
\nVur\u011fulay\u0131b ki,  “Q\u0131rxdan sonra…” filmi qad\u0131n taleyin\u0259 qad\u0131n bax\u0131\u015f\u0131n\u0131 \u0259ks etdir\u0259n ekran i\u015fl\u0259ri silsil\u0259sinin ilk hiss\u0259sidir v\u0259 yax\u0131n g\u0259l\u0259c\u0259kd\u0259 aktrisalar\u0131n ya\u015fant\u0131lar\u0131na h\u0259sr olunan növb\u0259ti q\u0131sametrajl\u0131 filmin ç\u0259kili\u015fl\u0259rin\u0259 ba\u015flanacaq.
\nNümayi\u015fd\u0259n sonra film haqq\u0131nda t\u0259\u0259ssüratlar\u0131n\u0131 bölü\u015f\u0259n s\u0259n\u0259t\u015fünasl\u0131q doktoru, professor M\u0259ry\u0259m \u018flizad\u0259, kino r\u0259ssam\u0131, animasiya rejissoru, Az\u0259rbaycan Dövl\u0259t R\u0259ssaml\u0131q Akademiyas\u0131n\u0131n professoru, Fir\u0259ngiz Qurbanova, caz ifaç\u0131s\u0131 Tünzal\u0259 Q\u0259hr\u0259man da ekran \u0259s\u0259ri bar\u0259d\u0259 t\u0259\u0259ssüratlar\u0131n\u0131 bölü\u015fübl\u0259r.<\/p>\n

Ç\u0131x\u0131\u015flarda ekran \u0259s\u0259rinin xüsusil\u0259 qad\u0131n psixologiyas\u0131na h\u0259ssas yana\u015fmas\u0131n\u0131, mövzunun s\u0259mimiliyini v\u0259 aktrisalar\u0131n emosional ifas\u0131n\u0131 yüks\u0259k qiym\u0259tl\u0259ndiribl\u0259r. Müzakir\u0259l\u0259r zaman\u0131 qeyd olunub ki, “Q\u0131rxdan sonra…” ça\u011fda\u015f Az\u0259rbaycan kinosunda az toxunulan bir mövzunu – orta ya\u015fl\u0131 qad\u0131n\u0131n s\u0259n\u0259td\u0259 özg\u0259l\u0259\u015fm\u0259si problemini – emosional v\u0259 eyni zamanda realist dild\u0259 t\u0259qdim etm\u0259yi bacar\u0131b. Tama\u015faç\u0131lar filmd\u0259ki tragikomik atmosferin h\u0259yat h\u0259qiq\u0259tl\u0259ri il\u0259 üzvi \u015f\u0259kild\u0259 birl\u0259\u015fdiyini, q\u0259hr\u0259manlar\u0131n ya\u015fad\u0131qlar\u0131 daxili böhranlar\u0131n süni dramatizmd\u0259n uzaq t\u0259svir olundu\u011funu vur\u011fulay\u0131blar.<\/p>\n

H\u0259mçinin qeyd edibl\u0259r ki, ekran \u0259s\u0259rinin b\u0259dii-estetik h\u0259llind\u0259 minimalist yana\u015fma diqq\u0259ti c\u0259lb edir. Rejissor hadis\u0259l\u0259ri pafosdan uzaq, mü\u015fahid\u0259çi rakursdan t\u0259qdim etm\u0259kl\u0259 q\u0259hr\u0259manlar\u0131n daxili sars\u0131nt\u0131lar\u0131n\u0131 vizual detallar vasit\u0259sil\u0259 açma\u011fa çal\u0131\u015f\u0131r. M\u0259kan seçimi, s\u0259hn\u0259l\u0259rin ritmi v\u0259 pauzalardan istifad\u0259 personajlar\u0131n t\u0259nhal\u0131\u011f\u0131n\u0131 v\u0259 daxili yor\u011funlu\u011funu gücl\u0259ndir\u0259n \u0259sas estetik elementl\u0259rd\u0259n biri kimi ç\u0131x\u0131\u015f edir.<\/p>\n

Film boyu m\u0259i\u015f\u0259t mühiti il\u0259 s\u0259hn\u0259 arxas\u0131 atmosferinin paralel t\u0259qdimat\u0131 aktrisa h\u0259yat\u0131n\u0131n ikili dramatizmini — ictimai görünü\u015f v\u0259 \u015f\u0259xsi a\u011fr\u0131 aras\u0131ndak\u0131 ziddiyy\u0259ti qabard\u0131r.
\nGörüntü rejissoru \u015eahmar S\u0259f\u0259ro\u011flu yax\u0131n planlardan v\u0259 sakit, mü\u015fahid\u0259çi kadrlardan istifad\u0259 etm\u0259kl\u0259 obrazlar\u0131n emosional v\u0259ziyy\u0259tini tama\u015faç\u0131ya daha yax\u0131nla\u015fd\u0131r\u0131r.
\nYarad\u0131c\u0131 hey\u0259ti t\u0259brik ed\u0259n ç\u0131x\u0131\u015fç\u0131lar bu mövzuda filml\u0259rin daha çox ç\u0259kilm\u0259si arzular\u0131n\u0131 da dil\u0259 g\u0259tirdil\u0259r.<\/p>\n

Hörm\u0259tl\u0259,
\nH\u0259mid\u0259 Rüst\u0259mova<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

 Az\u0259rbaycan Kinematoqrafç\u0131lar \u0130ttifaq\u0131n\u0131n d\u0259st\u0259yi il\u0259 “Q\u0131rxdan sonra…” adl\u0131 q\u0131sametrajl\u0131 b\u0259dii filmin yaln\u0131z qad\u0131nlar üçün t\u0259\u015fkil olunan xüsusi nümayi\u015fi keçirilib.  S\u0259n\u0259t\u015fünaslar, teatr v\u0259 kino xadiml\u0259ri, media nümay\u0259nd\u0259l\u0259ri, h\u0259mçinin c\u0259miyy\u0259tin f\u0259rqli sah\u0259l\u0259rind\u0259…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[102],"tags":[],"class_list":["post-243458","post","type-post","status-publish","format-standard","hentry","category-medeniyyet-butun-xeberler"],"_links":{"self":[{"href":"https:\/\/ucnoqta.az\/index.php?rest_route=\/wp\/v2\/posts\/243458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ucnoqta.az\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ucnoqta.az\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ucnoqta.az\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ucnoqta.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=243458"}],"version-history":[{"count":0,"href":"https:\/\/ucnoqta.az\/index.php?rest_route=\/wp\/v2\/posts\/243458\/revisions"}],"wp:attachment":[{"href":"https:\/\/ucnoqta.az\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=243458"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ucnoqta.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=243458"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ucnoqta.az\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=243458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}