{"id":227193,"date":"2025-07-05T16:13:02","date_gmt":"2025-07-05T12:13:02","guid":{"rendered":""},"modified":"-0001-11-30T00:00:00","modified_gmt":"-0001-11-29T20:00:00","slug":"","status":"publish","type":"post","link":"https:\/\/ucnoqta.az\/?p=227193","title":{"rendered":"Milli-m\u0259d\u0259ni identikliyin \u0259sas g\u00f6st\u0259ricil\u0259rind\u0259n biri"},"content":{"rendered":"

Xalçalar t\u0259kc\u0259 m\u0259i\u015f\u0259td\u0259 istifad\u0259 olunmur, h\u0259m d\u0259 Türk toplumlar\u0131n\u0131n kimlik ifad\u0259si, tarixi yadda\u015f\u0131 v\u0259 kollektiv yadda\u015f\u0131n\u0131n bir hiss\u0259si kimi ç\u0131x\u0131\u015f edir<\/strong><\/p>\n

S\u0259kkizinci m\u0259qal\u0259<\/strong><\/p>\n

Az\u0259rbaycan Respublikas\u0131n\u0131n Qeyri-Hökum\u0259t T\u0259\u015fkilatlar\u0131na Dövl\u0259t D\u0259st\u0259yi Agentliyinin 2025-ci il üzr\u0259 orta qrant müsabiq\u0259sinin qalibi olan “Orta Asiya v\u0259 Güney Qafqaz Söz Azadl\u0131\u011f\u0131 \u015e\u0259b\u0259k\u0259si” \u0130ctimai Birliyi (CASCFEN) “Türk dünyas\u0131: ortaq mirasdan ortaq g\u0259l\u0259c\u0259y\u0259 do\u011fru” adl\u0131 layih\u0259nin icras\u0131na ba\u015flay\u0131b. 1 may 30 sentyabr tarixl\u0259ri aras\u0131nda realla\u015fd\u0131r\u0131lacaq layih\u0259 müasir dövrd\u0259 Türk dünyas\u0131nda inteqrasiyan\u0131n daha da d\u0259rinl\u0259\u015fm\u0259si istiqam\u0259tind\u0259 at\u0131lan add\u0131mlara d\u0259st\u0259k xarakteri da\u015f\u0131y\u0131r. Biz, ortaq d\u0259y\u0259rl\u0259rimizi, ortaq miras\u0131m\u0131z bilm\u0259d\u0259n etibarl\u0131 ortaq g\u0259l\u0259c\u0259k qura bilm\u0259rik. Prezident \u0130lham \u018fliyevin b\u0259yan etdiyi kimi bizim ail\u0259miz Türk dünyas\u0131d\u0131r. Ail\u0259mizin etibarl\u0131 t\u0259m\u0259ll\u0259r üz\u0259rind\u0259 qurulmas\u0131 h\u0259m d\u0259 ortaq tarixi keçmi\u015fimiz\u0259 sahib ç\u0131xmaqdan keçir. Layih\u0259nin m\u0259qs\u0259di Türk dünyas\u0131nda bu istiqam\u0259td\u0259 at\u0131lan add\u0131mlar\u0131, ortaq miras\u0131m\u0131zla ba\u011fl\u0131 tarixi faktlar\u0131 türk dünyas\u0131na, o cüml\u0259d\u0259n u\u015faq, yeniyetm\u0259 v\u0259 g\u0259ncl\u0259r\u0259 çatd\u0131rmaqd\u0131r. Layih\u0259 ç\u0259rçiv\u0259sind\u0259 bir s\u0131ra i\u015fl\u0259rin görülm\u0259si, h\u0259mçinin, mövzu il\u0259 ba\u011fl\u0131 Türkiy\u0259, Az\u0259rbaycan v\u0259 dig\u0259r türk dövl\u0259tl\u0259rind\u0259n olan müt\u0259x\u0259ssisl\u0259rin fikirl\u0259ri \u0259sas\u0131nda 12 m\u0259qal\u0259nin haz\u0131rlanmas\u0131 n\u0259z\u0259rd\u0259 tutulub. Müxt\u0259lif sah\u0259l\u0259ri \u0259hat\u0259 ed\u0259c\u0259k h\u0259min 12 m\u0259qal\u0259nin s\u0259kkizincisi oxuculara t\u0259qdim edilir.<\/p>\n

Bu m\u0259qal\u0259d\u0259 Türk dünyas\u0131nda ön\u0259mli yer tutan v\u0259 ortaq d\u0259y\u0259r olan xalçaç\u0131l\u0131qdan b\u0259hs ed\u0259c\u0259yik.<\/p>\n

Ortaq ilm\u0259l\u0259r ortaq xalçalar<\/strong><\/p>\n

\"media-qazaxistan-xalcasi-1\"<\/p>\n

 <\/p>\n

Bu yerd\u0259 yen\u0259 m\u0259nb\u0259l\u0259r istinda ed\u0259r\u0259k dey\u0259 bil\u0259rik ki, ümumiyy\u0259tl\u0259 xalçaç\u0131l\u0131q q\u0259dim türkl\u0259rin \u0259sas \u0259m\u0259k verdikl\u0259ri sah\u0259l\u0259rd\u0259n biridir. Türk xalqlar\u0131n\u0131n h\u0259r biri bu s\u0259n\u0259t\u0259 öz co\u011frafi mühiti, tarixi t\u0259crüb\u0259si v\u0259 estetik d\u0259y\u0259rl\u0259ri ç\u0259rçiv\u0259sind\u0259 spesifik töhf\u0259l\u0259r vermi\u015fdir. H\u0259r bir xalça, \u0259slind\u0259, bir xalq\u0131n tarixi yadda\u015f\u0131n\u0131 da\u015f\u0131yan, simvolik m\u0259nalarla yükl\u0259nmi\u015f bir s\u0259n\u0259t abid\u0259sidir.<\/p>\n

Xalça türk xalqlar\u0131n\u0131n milli qürur m\u0259nb\u0259yidir. Xalçaç\u0131l\u0131qda istifad\u0259 edil\u0259n b\u0259zi ortaq nax\u0131\u015flar da bunu bir daha t\u0259sdiql\u0259yir. M\u0259s\u0259l\u0259n, bütün türk xalqlar\u0131nda xalçalarda romb formas\u0131nda nax\u0131\u015flara rast g\u0259lm\u0259k olar. Eyn\u0259n d\u0259 r\u0259ng çalarlar\u0131 v\u0259 h\u0259nd\u0259si fiqurlar, n\u0259bati nax\u0131\u015flar türkçülüyün r\u0259mzl\u0259rin özünd\u0259 \u0259ks etdirir. Türk dünyas\u0131nda q\u0131rm\u0131z\u0131 xalça ustadlar\u0131n \u0259n sevimli r\u0259ngl\u0259rind\u0259n ilkidir. Çünki Od, Gün\u0259\u015f türkçülüyün \u0259n d\u0259y\u0259rli ortaq r\u0259mzl\u0259ridir.<\/p>\n

Qazax xalçalar\u0131 türk xalqlar\u0131n\u0131n xalçalar aras\u0131nda öz<\/strong> göz\u0259lliyi v\u0259 q\u0259dimliyi il\u0259 ön s\u0131ralarda yer al\u0131r<\/strong><\/p>\n

\"media-tebriz-xalcasi-1\"<\/p>\n

 <\/p>\n

Konkret olaraq Qazax\u0131stan xalçalar\u0131na g\u0259linc\u0259, xalçaç\u0131l\u0131q Qazax mill\u0259tinin \u0259n\u0259n\u0259l\u0259rini, q\u0259dimliyini, \u0259sirl\u0259r\u0259 dayanan tarixini özünd\u0259 \u0259ks etdirir. Qazax xalçalar\u0131 türk xalqlar\u0131n\u0131n xalçalar aras\u0131nda öz göz\u0259lliyi v\u0259 q\u0259dimliyi il\u0259 ön s\u0131ralarda yer al\u0131r. Xalça burada iki üsulla haz\u0131rlan\u0131r- h\u0259m \u0259l toxunu\u015fu, h\u0259m keç\u0259d\u0259n toxunan xalçalar. Onlar is\u0259 öz növb\u0259sind\u0259 xovlu v\u0259 xovsuz çe\u015fidl\u0259rin\u0259 bölünür.<\/p>\n

Qazax xalçalar\u0131ndan biri keç\u0259dir. Bu, büzülmü\u015f yundan haz\u0131rlanan qal\u0131n, tikilm\u0259mi\u015f, tekstil m\u0259mulat\u0131d\u0131r. Bu m\u0259mulatlar çox göz\u0259l havan\u0131 burax\u0131r v\u0259 unikal xüsusiyy\u0259tl\u0259r\u0259 malikdir. Türkl\u0259r, o cüml\u0259d\u0259n Qazax türkl\u0259ri q\u0259dim dövrl\u0259rd\u0259n qoyun tükünün keç\u0259y\u0259 çevrilm\u0259si texnologiyas\u0131na yüks\u0259k s\u0259viyy\u0259d\u0259 yiy\u0259l\u0259nmi\u015f v\u0259 bu ustal\u0131qlar\u0131n\u0131 yüz ill\u0259r keçm\u0259sin\u0259 r\u0259\u011fm\u0259n ya\u015fada bilmi\u015fl\u0259r.<\/p>\n

Aliml\u0259rin t\u0259dqiqatlar\u0131na \u0259saslanaraq dem\u0259k olar ki, nax\u0131\u015fl\u0131 keç\u0259nin haz\u0131rlanmas\u0131n\u0131 h\u0259l\u0259 ilkin köç\u0259ri h\u0259yat sür\u0259n O\u011fuz tayfalar\u0131n\u0131n dövrün\u0259 aid etm\u0259k olar. Bunun ilkin s\u0259b\u0259bi is\u0259 köç\u0259ri tayfalar\u0131n maldarl\u0131qla geni\u015f s\u0259viyy\u0259d\u0259 m\u0259\u015f\u011ful olmas\u0131 idi. Qoyun v\u0259 d\u0259v\u0259 sürül\u0259ri qida m\u0259mulatlar\u0131ndan ba\u015fqa, h\u0259m d\u0259 eyni zamanda müxt\u0259lif yun m\u0259mulatlar\u0131 da \u0259ld\u0259 etm\u0259k olurdu.<\/p>\n

Günümüzd\u0259 \u0259sas h\u0259yat t\u0259rzin\u0259 çevril\u0259n keç\u0259li xalçalar Orta Asiya xalqlar\u0131nda dekorativ \u0259\u015fya kimi d\u0259y\u0259rl\u0259ndirilir.<\/p>\n

Qazax xalçaç\u0131l\u0131\u011f\u0131nda xovlu v\u0259 xovsuz xalçalar xüsusil\u0259 m\u0259\u015fhurdur v\u0259 h\u0259r ikisi özün\u0259m\u0259xsus xüsusiyy\u0259tl\u0259ri il\u0259 seçilir. Ümumiyy\u0259tl\u0259, Qazax xalçaç\u0131l\u0131\u011f\u0131 q\u0259dim \u0259n\u0259n\u0259l\u0259r\u0259 \u0259saslan\u0131r v\u0259 bu iki növ xalça Qazax xalq\u0131n\u0131n günd\u0259lik h\u0259yat\u0131nda v\u0259 m\u0259d\u0259niyy\u0259tind\u0259 mühüm rol oynay\u0131r. Onlar\u0131n haz\u0131rlanma texnologiyas\u0131 v\u0259 nax\u0131\u015flar\u0131 h\u0259r biri özün\u0259m\u0259xsus simvolika v\u0259 funksionall\u0131q da\u015f\u0131y\u0131r. Bundan ba\u015fqa, “S\u0131rmak”, “T\u0259k\u0259m\u0259t”,  “Tu\u015fkiz”,  “Ala\u015fa” xalçalar\u0131 da q\u0259dimd\u0259n günümüz\u0259 q\u0259d\u0259r g\u0259lib çat\u0131b.<\/p>\n

Orta Asiyan\u0131n dig\u0259r türk xaqlar\u0131n\u0131n da xalçaç\u0131l\u0131q \u0259n\u0259n\u0259l\u0259ri mövcuddur<\/strong><\/p>\n

\"media-turkmen-xalcasi-1\"<\/p>\n

 <\/p>\n

Orta Asiyada, h\u0259mçinin dig\u0259r türk xaqla\u0131rn\u0131n da xalçaç\u0131l\u0131q \u0259n\u0259n\u0259l\u0259ri mövcuddur.<\/p>\n

M\u0259s\u0259l\u0259n, Q\u0131r\u011f\u0131z xalçalar\u0131 \u0259sas\u0259n xovlu xalçalar hesab olunur. Q\u0131r\u011f\u0131z xalq\u0131 erk\u0259n orta \u0259srl\u0259r dövründ\u0259n xalçaç\u0131l\u0131qla m\u0259\u015f\u011ful idil\u0259r. Lakin buna baxmayaraq xalçaç\u0131l\u0131q s\u0259n\u0259ti yaln\u0131z XIX \u0259srd\u0259 inki\u015faf etm\u0259y\u0259 ba\u015flam\u0131\u015fd\u0131r. O, dövr\u0259 q\u0259d\u0259r xalça yaln\u0131z m\u0259i\u015f\u0259t avadanl\u0131\u011f\u0131 say\u0131l\u0131b v\u0259 sonradan ekporta ixrac edilib. “Ala –K\u0131z”, “Kurak”, “Tu\u015fk\u0131z”, “Çiy” v\u0259 “\u015e\u0131rdaq” kimi xalçalar \u0259n m\u0259\u015fhur Q\u0131r\u011f\u0131z xalçalar\u0131d\u0131r. Q\u0131r\u011f\u0131z xalçalar\u0131nda motivl\u0259r \u0259sas\u0259n t\u0259bi\u0259t hadis\u0259l\u0259ri<\/strong>, heyvan fiqurlar\u0131 <\/strong>v\u0259 q\u0259dim Türk kosmologiyas\u0131na<\/strong> ba\u011fl\u0131 elementl\u0259r üz\u0259rind\u0259 qurulur. Bu xalçalar t\u0259kc\u0259 dö\u015f\u0259m\u0259 v\u0259 divar örtüyü deyil, h\u0259m d\u0259 evl\u0259nm\u0259 m\u0259rasiml\u0259rind\u0259 cehiz kimi t\u0259qdim olunan v\u0259 ail\u0259 xatir\u0259sini qoruyan s\u0259n\u0259t nümun\u0259l\u0259ridir. R\u0259ngl\u0259r\u0259 g\u0259ldikd\u0259, q\u0131rm\u0131z\u0131, tünd ya\u015f\u0131l, göy v\u0259 qara tonlar üstünlük t\u0259\u015fkil edir v\u0259 bu r\u0259ngl\u0259rin h\u0259r biri simvolik m\u0259naya malikdir – q\u0131rm\u0131z\u0131 h\u0259yat v\u0259 enerji, qara torpaq v\u0259 b\u0259r\u0259k\u0259t anlam\u0131na g\u0259lir. Bu xalçalar qad\u0131nlar\u0131n birg\u0259 v\u0259 f\u0259dakar z\u0259hm\u0259ti n\u0259tic\u0259sind\u0259 \u0259rs\u0259y\u0259 g\u0259lmi\u015f s\u0259n\u0259t nümun\u0259l\u0259ridir. \u018fsas\u0259n bu xan\u0131mlar bir ail\u0259nin üzvl\u0259ri olurdu. N\u0259n\u0259l\u0259r, analar, q\u0131zlar v\u0259 g\u0259linl\u0259r bir yer\u0259 topla\u015far, h\u0259m i\u015f gör\u0259r, h\u0259m d\u0259 ail\u0259nin \u0259n\u0259n\u0259l\u0259rini, nax\u0131\u015flar\u0131n m\u0259nalar\u0131n\u0131 v\u0259 toxuma sirrl\u0259rini bir-birin\u0259 ötür\u0259rdi. Bu proses t\u0259kc\u0259 \u0259m\u0259k f\u0259aliyy\u0259ti deyil, h\u0259m d\u0259 m\u0259d\u0259niyy\u0259tin, s\u0259n\u0259tin v\u0259 n\u0259sild\u0259n-n\u0259sl\u0259 ötürül\u0259n yadda\u015f\u0131n ya\u015fad\u0131lmas\u0131 dem\u0259k idi. H\u0259r bir ilm\u0259, h\u0259r bir nax\u0131\u015f ail\u0259nin tarixi, h\u0259yat t\u0259rzi v\u0259 dünya görü\u015fünün bir parças\u0131 idi”.<\/p>\n

\"media-qirgiz-xalca-1\"<\/p>\n

Bu m\u0259qamda vur\u011fulayaq ki, Türk xalqlar\u0131 aras\u0131nda \u0259n q\u0259dim v\u0259 tan\u0131nm\u0131\u015f xalçaç\u0131l\u0131q \u0259n\u0259n\u0259l\u0259rind\u0259n biri Türkm\u0259n xalq\u0131na m\u0259xsusdur. Türkm\u0259n xalçalar\u0131 t\u0259kc\u0259 m\u0259i\u015f\u0259t \u0259\u015fyas\u0131 deyil, h\u0259m d\u0259 etnik kimliyin, estetik dü\u015fünc\u0259nin v\u0259 m\u0259d\u0259ni yadda\u015f\u0131n <\/strong>simvoludur. Türkm\u0259nistan dünyada öz xalçalar\u0131 il\u0259 çox m\u0259\u015fhurdur. Burada xan\u0131mlar xalçalar\u0131 \u0259lll\u0259 toxunur v\u0259 bu bir \u0259n\u0259n\u0259dir. Bu xalçalarda h\u0259nd\u0259si arnamentl\u0259rl\u0259 b\u0259rab\u0259r müxt\u0259lif heyvan r\u0259sm arnamentl\u0259rin\u0259 d\u0259 rast g\u0259lm\u0259k olar. M\u0259s\u0259l\u0259n, qoyun, d\u0259v\u0259, at, qu\u015f v\u0259 s. Türkm\u0259n xalçalar\u0131 xüsusil\u0259 “göl” adlanan simmetrik motivl\u0259ri il\u0259 tan\u0131n\u0131r. Bu xalçalar \u0259sas\u0259n q\u0131rm\u0131z\u0131 r\u0259ng tonlar\u0131na üstünlük verir v\u0259 ail\u0259nin statusunu, tayfan\u0131n kimliyini \u0259ks etdirir.<\/p>\n

Ümumiyy\u0259tl\u0259, xalçaç\u0131l\u0131q Türkm\u0259nistanda t\u0259kc\u0259 s\u0259n\u0259tkarl\u0131q deyil, h\u0259m d\u0259 milli kimliyin \u0259sas sütunlar\u0131ndan biri hesab olunur. 2000-ci ill\u0259rin \u0259vv\u0259lind\u0259n Türkm\u0259n xalçalar\u0131 dövl\u0259t s\u0259viyy\u0259sind\u0259 müdafi\u0259 olunmu\u015f, xüsusi “Xalça Günü” t\u0259sis edilmi\u015f v\u0259 bu sah\u0259y\u0259 dövl\u0259t s\u0259rmay\u0259l\u0259ri yön\u0259ldilmi\u015fdir.<\/p>\n

Xalçaç\u0131l\u0131q Ö<\/strong>zb\u0259kistan\u0131n da q\u0259dim xalq s\u0259n\u0259t növl\u0259rind\u0259n biridir. Özb\u0259kistanda xalçaç\u0131l\u0131q s\u0259n\u0259ti q\u0259dim kökl\u0259r\u0259 malikdir v\u0259 \u0259sas\u0259n Buxara<\/strong>, Xiv\u0259, S\u0259m\u0259rq\u0259nd <\/strong>v\u0259 F\u0259rqan\u0259 vadisi<\/strong> kimi bölg\u0259l\u0259rd\u0259 inki\u015faf etmi\u015fdir. Özb\u0259k xalçalar\u0131 \u0259sas\u0259n yundan haz\u0131rlan\u0131r v\u0259 onlar\u0131n toxunma texnikas\u0131 simmetrik düyün üsuluna \u0259saslan\u0131r. Nax\u0131\u015flarda \u0259n çox istifad\u0259 olunan motivl\u0259r aras\u0131nda geometrik formalar<\/strong>, göy\u0259rti elementl\u0259ri <\/strong>v\u0259 buta<\/strong> tipli simvollar yer al\u0131r. R\u0259ng palitras\u0131 is\u0259 canl\u0131 q\u0131rm\u0131z\u0131, mavi, sar\u0131 v\u0259 ya\u015f\u0131l tonlardan ibar\u0259tdir. Özb\u0259k xalçalar\u0131 funksional m\u0259qs\u0259dl\u0259 h\u0259m dö\u015f\u0259m\u0259 örtüyü, h\u0259m d\u0259 divar b\u0259z\u0259yi kimi istifad\u0259 olunur. Özb\u0259k xalçalar\u0131 növün\u0259 gör\u0259, uzun v\u0259 q\u0131sa xovlu xalçalara bölünür. Özb\u0259k xalça növl\u0259rind\u0259n b\u0259hs ed\u0259rk\u0259n “Cülxirs”, “Gilama” v\u0259 “Palas”\u0131 qeyd etm\u0259k yerin\u0259 dü\u015f\u0259r”.<\/p>\n

Sonda onu da vur\u011fulayaq ki, müasir dövrd\u0259 qloballa\u015fman\u0131n t\u0259siri il\u0259 bir çox \u0259n\u0259n\u0259vi s\u0259n\u0259t növl\u0259ri kimi xalçaç\u0131l\u0131q da mü\u0259yy\u0259n t\u0259hlük\u0259l\u0259rl\u0259 üz-üz\u0259 qalm\u0131\u015fd\u0131r. Bu s\u0259b\u0259bd\u0259n, bu q\u0259dim s\u0259n\u0259tin g\u0259l\u0259c\u0259k n\u0259sill\u0259r\u0259 ötürülm\u0259si üçün dövl\u0259t v\u0259 qeyri-hökum\u0259t t\u0259\u015fkilatlar\u0131 s\u0259viyy\u0259sind\u0259 i\u015fl\u0259r görülm\u0259lidir. N\u0259tic\u0259 etibaril\u0259, xalçaç\u0131l\u0131q t\u0259kc\u0259 keçmi\u015fin miras\u0131 deyil, h\u0259m d\u0259 Türk dünyas\u0131n\u0131n m\u0259d\u0259ni g\u0259l\u0259c\u0259yinin formala\u015fmas\u0131nda mühüm rol oynaya bil\u0259c\u0259k strateji d\u0259y\u0259r\u0259 malik s\u0259n\u0259t sah\u0259sidir. Onun ya\u015fad\u0131lmas\u0131, öyr\u0259dilm\u0259si v\u0259 t\u0259bli\u011fi ümumtürk m\u0259d\u0259ni kimliyinin gücl\u0259ndirilm\u0259si bax\u0131m\u0131ndan prioritet m\u0259s\u0259l\u0259l\u0259rd\u0259n biri kimi qiym\u0259tl\u0259ndirilm\u0259lidir.<\/p>\n

Cavid \u015eahverdiyev<\/strong><\/p>\n

Bu yaz\u0131 Az\u0259rbaycan Respublikas\u0131n\u0131n Qeyri-Hökum\u0259t T\u0259\u015fkilatlar\u0131na Dövl\u0259t D\u0259st\u0259yi Agentliyinin maliyy\u0259 yard\u0131m\u0131 il\u0259 h\u0259yata keçiril\u0259n <\/strong>“Türk dünyas\u0131: ortaq mirasdan ortaq g\u0259l\u0259c\u0259y\u0259 do\u011fru” layih\u0259si ç\u0259rçiv\u0259sind\u0259 haz\u0131rlanm\u0131\u015fd\u0131r v\u0259 bu yaz\u0131da \u0259ks olunan fikir v\u0259 mülahiz\u0259l\u0259r mü\u0259llif\u0259 aiddir v\u0259 Az\u0259rbaycan Respublikas\u0131n\u0131n Qeyri-Hökum\u0259t T\u0259\u015fkilatlar\u0131na Dövl\u0259t D\u0259st\u0259yi Agentliyinin r\u0259smi mövqeyini \u0259ks etdirm\u0259y\u0259 bil\u0259r.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Xalçalar t\u0259kc\u0259 m\u0259i\u015f\u0259td\u0259 istifad\u0259 olunmur, h\u0259m d\u0259 Türk toplumlar\u0131n\u0131n kimlik ifad\u0259si, tarixi yadda\u015f\u0131 v\u0259 kollektiv yadda\u015f\u0131n\u0131n bir hiss\u0259si kimi ç\u0131x\u0131\u015f edir S\u0259kkizinci m\u0259qal\u0259 Az\u0259rbaycan Respublikas\u0131n\u0131n Qeyri-Hökum\u0259t T\u0259\u015fkilatlar\u0131na Dövl\u0259t D\u0259st\u0259yi Agentliyinin…<\/p>\n","protected":false},"author":1,"featured_media":251278,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","footnotes":""},"categories":[101],"tags":[],"class_list":["post-227193","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cemiyyet"],"_links":{"self":[{"href":"https:\/\/ucnoqta.az\/index.php?rest_route=\/wp\/v2\/posts\/227193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ucnoqta.az\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ucnoqta.az\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ucnoqta.az\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ucnoqta.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=227193"}],"version-history":[{"count":0,"href":"https:\/\/ucnoqta.az\/index.php?rest_route=\/wp\/v2\/posts\/227193\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ucnoqta.az\/index.php?rest_route=\/wp\/v2\/media\/251278"}],"wp:attachment":[{"href":"https:\/\/ucnoqta.az\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=227193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ucnoqta.az\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=227193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ucnoqta.az\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=227193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}